Downtown Yonge Artwalk

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The Watchers – Full Circle

  • Cast iron, granite
  • 2002
  • 2 Queen Street East, Toronto

About the artwork

The iron figures are direct castings from five hand-carved and charred wooden figures that circumnavigated Canada in a 30,000 km, five-year journey. This journey took them through every province and through the Northwest Passage on a Coast Guard Icebreaker, traversing the territories, and eventually returning home.

During this time they were exposed to the elements while being transported upright in an old pickup truck, on the uppermost deck of the Coast Guard vessel, and by helicopter to a seagoing barge. The weather and the damage incurred is captured in the castings, leaving gouges, broken legs and scarring clearly visible.

Among many other things, this piece is about witnessing Canada’s changing geography. The journey was self-directed and self-funded largely by speaker and exhibition fees.

About the artist

Peter von Tiesenhausen is a multimedia Canadian artist whose work has led him through journeys both real and imagined. Based in the Alberta Peace country, Demmitt specifically, has exhibited across Canada, in Europe and the United States in public galleries and throughout the landscape.

His practice has grown from landscape painting to installation, sculpture, performance and from simple media to complex combinations of media and multifaceted collaborations. He claims copyright on his land as an artwork. His work often deals with the ideas of time, life, voyage, death, spirit, nature and humanity.

There is a strong pursuit of sustainability often evident in the work and an attempt to understand time and substance from a variety of perspectives.

Fun facts

  • Normally exhibited in Calgary, the artist started to travel around Canada in 1996 with artwork from Hamilton to Toronto, where for the first time The Watchers was noticed by the public.

Engagement questions

  • Is public art all about being permanent or do we need to reconsider its place?
  • How important are social changes for the public realm in terms of representation?
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