Downtown Yonge Artwalk

Search

Our Nell

  • Enamelled steel
  • 1980
  • Queen Station, Toronto

About the artwork

Queen Station contains a painted mural by self-taught Canadian John Boyle at the platform level titled Our Nell. Featuring depictions of Nellie McClung, William Lyon Mackenzie, as well as the former Simpson’s and Eaton’s department stores, Boyle’s work was known for his use of subjects drawn from his own specific life experience and from Canadian history. He was a part of the London Regional art movement.

Nellie McClung, women’s rights activist and one of the Valiant Five who successfully petitioned to have women recognized as “persons” by the Dominion government in 1927. The male figure is that of William Lyon Mackenzie, member of the Upper Canada Legislative Assembly 1827-1834; Toronto’s first lord mayor 1834; founder/publisher of the reform newspaper, The Colonial Advocate and leader, in Upper Canada of the Patriots’ Rebellion of 1837.

About the artist

John Boyle RCA is a self-taught award-winning Canadian painter, activist, curator and writer known for his use of subjects drawn from his own specific life experience and from Canadian history. He was a part of the London Regional art movement.

Boyle’s intricate and colourful paintings, dealing mainly with socio-political figures and elements of Canadian landscape, place him firmly within the realm of the Canadian response to the 1960s-era Pop phenomenon.

Boyle lived most of his life in the small town of London, Ontario. After studying at the London Teachers’ College and the University of Western Ontario, he moved to St. Catharine’s in 1962, where he worked intermittently as an elementary school teacher then, from 1968 on, as a professional artist. He also lived for a while in Elsinore, a small hamlet near Owen Sound and now resides in Peterborough.

Boyle initially intended to become a writer, but after seeing an exhibition of the work of Vincent Van Gogh in Detroit in 1962, he decided to concentrate on painting. Largely self-taught, he fully committed to his art, and his unique approach quickly began to garner interest. The artist is one of the few since the early twentieth century to focus on the Canadian socio-political figure outside of the realm of portraiture (Lakeside Park, 1970). Boyle is also noted for his emulation of the colour profile of screen-printing by omitting half-tones from his palette. This gives his paintings a dramatic intensity that reinforces the importance of the presented figures.

Boyle, deeply passionate about artist’s rights, spearheaded the foundation of the Niagara Artist’s Company in 1970 and was the founding spokesperson for CARO, the Canadian Artists’ Representation Ontario, the following year. The artist, whose paintings can be found in major collections across the country, was elected to the Royal Canadian Academy in 1975, received Canada Council B Grants in 1971, 1973 and 1979, and a Canada Council A Grant in 1987.

Fun facts

  • People have often complained about the mural and in 2013 a woman named Frances Campbell advocated for its removal. And even though the mural looks like “potato-face people,” Frances should know the deeper meaning of this art piece. Indeed, the mural depicts Nellie McClung, a women’s rights activist and one of the Valiant Five who successfully petitioned to have women recognized as “persons” by the Dominion government in 1927.

Engagement questions

  • Would you like as a citizen to be even more included within the community outreach and public engagement process in order to submit your personal thoughts over public art commissions?
  • As long as art exists, it will always raise some approval as well as some disapproval: How can we deal with subversive concepts and ideas?
Logo